Sylvano Bussotti
Immagini
Sylvano Bussotti was born in Florence on 1st October 1931. He began learning to play the violin with Margherita Castellani even before he had turned five years of age. Later at the Luigi Cherubini Conservatory in Florence he went on to study harmony and counterpoint under Roberto Lupi and piano under Luigi Dallapiccola. Forced to suspend his studies because of the war, he never actually obtained a formal qualification.
Three figures played a crucial role in Bussotti’s education: his brother Renzo and his maternal uncle Tono Zancanaro, both painters, and later, the poet Aldo Braibanti. From 1949 to 1956, studying by himself, he managed to develop a deep knowledge of composition. Later in Paris in the years between 1956 and 1958 he attended the private courses of Max Deutsch. There he had the opportunity to meet Pierre Boulez and Heinz-Klaus Metzger, who took him to Darmstadt, where he would meet John Cage.
His introduction to the public took place in Germany in 1958 with the performance of his music by the pianist David Tudor. This was followed by the presentation in Paris of pieces performed by Cathy Berberian under the direction of Pierre Boulez.
Universal Editionand, subsequently, Moeck and Bruzzichelliwere the first publishers to publish his scores. But it was with Casa Ricordi that Bussotti, in 1956, established a strong, on-going publishing relationship.
In 1964 and 1965, after winning the SIMC prize in 1961, 1963 and 1965, he was sponsored by the Rockerfeller Foundation to live and work in Buffalo and New York in the USA.
He received the all'Amelia prize at the Biennale in Venice in 1967, the Toscani d'Oggi prize in 1974 and the Psacaropulo prize in Turin in 1979. In 1972 thanks to a grant from the Ford Foundation he was a guest of the DAAD as artist-in-residence in Berlin. He has served as artistic director at the Teatro La Fenice in Venice and at the Puccini Festival in Torre del Lago. He has taught the history of music theatre at the Accademia di Belle Arti in Aquila. In 1980 he worked as a teacher of composition and analysis at the School of Music in Fiesole, and from 1987 to 1991 he acted as director of the music section at the Biennale in Venice.
Right from when he was a boy, as well as composing music, he has practised drawing and painting; exhibitions of his art have been mounted in various countries around the world. His concert activity has led him to develop a keen interest in theatre and this in turn has led him to become involved in cinema and television. Since 1965 the focus of his attention has been on music theatre. This has found concrete expression in the context of BUSSOTTIOPERABALLET, otherwise known as the B.O.B., which was founded by Bussotti in Genazzano in 1984 and which produces concerts, theatrical performances, art exhibitions and other initiatives with a wide and appreciative international following.
Works
- “Andante favorito” (Portrait)
- “Dai dimmi su!”
- “qu'un corps défiguré”
- 1. Ancora odono i colli
- 2 Ballabili
- 2 Concertanti
- 2. Solo el misterio
- 3. Per 24 voci adulte o bianche
- 4. La curva dell'amore
- 5. Rar'ancora
- A Fiesole un poema giovanile
- Aria di Mara
- Autotondo Tondodono
- Bozzetto siciliano
- Breve
- Brutto ignudo.
- Citazione con Quartina per Maurice
- Cœr pour batteur
- Couple
- Dai dimmi su!
- Danza di bufera
- Deborah Parker.
- El Carbonero.
- Et due voci
- Extraits de concert
- Fedra n.4
- Fedra n.5
- Fedra'ncora
- Fogli d'album
- Frammenti da "The Rara Requiem"
- Gemelli
- Giulia round Giulia
- Gran Duo
- H-III
- I semi di Gramsci
- Il catalogo è questo: I (Opus Cygne)
- In memoriam (Cathy Berberian)
- Intégrale Sade
- Julio organum Julii
- Juvenilia I
- La Donna
- La Fiorentinata
- La Maestà
- La Passion selon Sade
- La Vergine ispirata
- Le Bagattelle da camera
- Le Bal Mirò
- Le Bal Mirò (Mirò l'uccello luce)
- Le Racine
- le rarità Potente
- Le stanze di Azoth
- Lettura di Braibanti
- L'Ispirazione
- Lorenzaccio Symphony I
- Mobile-Stabile
- Musica per amici.
- Naked Angel Face
- Nudo disteso.
- Nuit du faune
- Nuit du Faune
- Nuovo scenario a Lorenzaccio
- Oggetto amato (Pièce de chair)
- Olof Palme
- Per tre
- Phaidra/Heliogabalus
- Phèdre (Fedra)
- Piano pieces for David Tudor
- Pièces de chair II
- Poemetto
- Poesia di De Pisis
- Pomeriggio musicale
- Quartetto Gramsci
- Rara (dolce)
- Rara (eco sierologico)
- Raramente
- Regina
- Ripetente
- Rondò di scena
- Sadun
- Sensitivo
- Solfeggio in Re della Regina
- Solo da La passion selon Sade
- Syro Sadun Settimino o Il trionfo della Grand'Eugène
- Tableaux vivants
- The Rara Requiem
- Three lovers' ballet
- Three Lovers'Ballet
- Timpani
- Tragico
- Tramonto
- Ultima Rara
- Voliera
- 5 frammenti all'Italia
- Accademia
- Accademia
- Bergkristall
- Bergkristall
- Brillante
- Brillante
- Brutto ignudo
- Cristallo di rocca
- Due voci
- Foglio d'album
- Foglio d'album
- Gran duo
- Intermezzo
- Labirinti
- Lachrimae
- Lachrimae
- Lorenzaccio
- Marbre pour cordes
- Musica per amici
- Nottetempo
- Novelletta
- Novelletta
- Nudo disteso
- Nympheo
- Nympheo
- Passo d'uomo
- Passo d'uomo
- Pianino
- Rosso
- Solo
- Voce bianca
- Voce bianca
- Winnie dello sguardo
- Foglio d'album
- Autotono
- Manifesto per Kalinowski
- E l'uccellino...
- Solo
- Solo
- Frammento
- Intermezzo
- Novelletta
- Solo
Music on sale
- Lorenzaccio
- L'ispirazione
- Phedre - fedra
- La passion selon sade
- L'ispirazione. melodramma in tre atti
- Fedra
- Extraits de concert da 'la passion selon sade'
- Tableaux vivants avant 'la passion selon sade'
- Solo
- Marbre pour cordes
- Rara (eco sierologico). 5 pezzi in uno
- Ancora odono i colli
- 5 frammenti all'italia. solo el misterio
- Per ventiquattro voci adulte o bianche
- 5 frammenti all'italia: n. 3 la curva dell'amore
- 5 frammenti all'italia. rar'ancora
- La passion selon sade
- Julio organum julii
- The rara requiem
- Ultima rara (pop song)
- Pieces de chair ii
- Foglio d'album
- I semi di gramsci
- Musica per amici
- Lorenzaccio
- Quartetto gramsci
- Aria di mara (da lorenzaccio)
- Bergkristall
- Novelletta
- El carbonero.
- Syro sadun settimino o il trionfo della grand'eugene
- Suite da lorenzaccio
- Sadun ('ballat blanc' di syro sadun settimino)
- Bergkristall
- Poesia di de pisis (campane). recitativo sopra un tema di dalla piccola
- Brillante
- Nottetempo
- Oggetto amato (piece de chair) (1975)
- Poster bussotti
- Autotono. un divertimento
- Gran duo
- Voce bianca
- Lachrimae
- Nottetempo: danza di bufera
- Three - lovers' ballet (3 scene da un balletto)
- Rondo' di scena
- Dai, dimmi su!'. conversazione da camera per 11 strum. co
- Passo d'uomo
- Tramonto. scena di danza elegiaca
- Le rarita', potente
- Winnie dello sguardo
- Il catalogo e' questo - i (opus - cygne)
- Phaidra/heliogabalus
- Nudo disteso
- Brutto ignudo
- Le racine. pianobar pour phedre
- Accademia
- Giulia round giulia
- Le bal miro' (miro' l'uccello luce).
- Pinocchio
- Citazione con quartina per maurice
- Il catalogo e' questo - ii (raragramma)
- La vergine ispirata (1982)
- Cristallo di rocca
- Cristallo di rocca
- Juvenilia i
- Rosso
- Due ballabili (1937 - 1983)
- Foglio d'album
- Il catalogo e' questo - iii trittico
- (nascosto)
- Nympheo
- Regina. quintetto mozart a percussione
- In memoriam (cathy berberian)
- La donna
- Giulia round giulia. frammento
- L'ispirazione. melodramma in tre atti
- Due concertanti
- Qu'un corps defigure
- Le bal miro'. i suite
- Voliera (concerto a l'aquila). improvviso e scritture
- Olof palme
- Deborah parker
- Pianino
- Le bagattelle da camera
- Andante favorito (portrait)
- Andante favorito (portrait)
- Phedre (fedra)
- Gemelli. pas des deux
- Due voci
- Sette fogli. una collezione occulta
- Integrale sade
- Bozzetto siciliano (tredici trame, n. 9)
- Bozzetto siciliano (tredici trame n. 9).
- Il catalogo e' questo - iv i poemi
- Nuit du faune (tredici trame, n. 4)
- La maesta' (tredici trame, n. 2)
- Labirinti
- Le bal miro'. ii suite
- Phrase a trois

