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Eight Bridges premieres Newski, Stäbler & Haas

Eight Bridges premieres Newski, Stäbler & Haas

The 2019 Eight Bridges Music Festival in Cologne, associated partner of Ricordilab, featured a wide variety of new music performances and premieres, including works by Sergej Newski, Gerhard Stäbler, and Georg Friedrich Haas. 

Now in its ninth year, the festival, which ran from April 30 to May 11, celebrates new music with an overarching theme every year. 2019 had the title “GroßstadtPolyphonie,” or “urban polyphony,” and many of the concerts took place beyond the usual classical music hall or stage: skater parks, underground train stations, ship docks, and flood control reservoirs were just a few of this year’s more unconventional venues. Eight Bridges also featured a wealth of new orchestral and chamber commissions, including Newski’s 18 Episodes for Orchestra, Stäbler’s Den Müllfahrern von San Francisco in a new version for orchestra, and Haas’ works im Schatten der Harfen and equinox.

Sergej Newski: 18 Episodes for Orchestra (2019)

for orchestra and tape
3.3.3.2 - 4.3.3.1 - 4perc - pf.elec - 14.14.12.10.8
Commissioned by Acht Brücken | Musik für Köln, supported by the Ernst von Siemens Musikstiftung
Duration: 15'
WP: 05.05.2019, Cologne

In a much-anticipated performance by Teodor Currentzis and the SWR Symphonieorchester, Newski’s 18 Episodes for Orchestra encompassed a “sensuality in its sound,” according to neue musikzeitung. The composer describes the form of this orchestral work as “structured like the episodes of a TV series.” The work also involves two playbacks of “rather randomly selected city noises”, which however “must be the sounds of the city in which the piece is being performed”. Here, Newski says, the music “is forced to compete with the chaos of street noises, thereby acquiring a secondary aspect: it turns into street music.”



Press quotes

Teodor Currentzis cleverly structured the world premiere of Sergej Newski’s 18 Episodes for Orchestra, in which the piano (soloist: Christoph Grun) plays a leading role. The atmospheric, revolving music integrates city sounds through playback, and, towards the end, the orchestra’s instruments mingle with multiple squawking Kazoos, little toy instruments. 
Kölnische Rundschau, 04.05.2019

Next in the program is the world premiere of 18 Episodes for Orchestra, a work commissioned by Acht Brücken and written by Sergej Newski, himself also present in the audience. Spherical sounds, chirps, plunks, thundering echoes – in this work, it can be seen for the first time just how Currentzis conducts: using his whole body. He sways and dances, grins and huffs, as if sawing wood at one moment and rowing a boat at another. This work, too, is received with great applause – for Currentzis, the composer Newski and the orchestra.
express.de, 07.05.2019


Already in 2006 Currentzis conducted Sergei Newski’s work Blick aus der Entfernung during the first festival TERRITOX in Moscow, thus returning the composer, who emigrated from Russia in the early 90s, to his native musical milieu. Thirteen years later, 18 Episodes for Orchestra is the first premiere Currentzis has led in his position as chief conductor of the SWR Symphony Orchestra. The work is cinematographic in its form, full of exciting plasticity and providing a strongly imbued experience of the fragility, unreliability and ephemerality of today’s world. At the very moment in which the piece reaches its silent climax, an onset of city noises are superimposed over the instrumental textures, as if the walls of the concert hall had ceased to exist. Newski plays with acoustic close-ups, with a continuous interchange of aural perspectives and, in so doing, achieves a multidimensional effect in the acoustics of the space – as though you could not just hear the impact of the orchestra’s sound, but also touch it. 
Vedomosti, 16.5.2019

Score of 18 Episodes for Orchestra








Gerhard Stäbler: Den Müllfahrern von San Francisco (1990/2018)

An acronym of acoustic memories of a journey for orchestra
3(picc).3.3.3 - 2.3.2.1 - timp.3perc - pf - 12.12.10.8.8
Commissioned by Westdeutscher Rundfunk
Duration: 13'
WP: 04.05.2019, Cologne

Although originally written in 1990, the newest orchestral version of Stäbler’s Den Müllfahrern von San Francisco premiered at the Cologne festival in a performance conducted by Brad Lubman with the WDR Symphonieorchester. “In the Kölner Philharmonie the work conceived a sort of worker’s uprising through the impact of its impulsive rhythmic and vocal signs, mixed with the words of beat poet Alan Ginsberg,” wrote the neue musikzeitung.

Watch the complete live performance beginning at 1:39:00:



Score of Den Müllfahrern von San Francisco








Georg Friedrich Haas: im Schatten der Harfen (2018)

for ensemble
hn.tpt.trb.2perc.1hp(2 instruments).vl1.vl2.vla.2vc.db (with C extension)
Commisioned by Casa da Música Porto, ACHT BRÜCKEN and oenm
Duration: 15'
WP: 06.11.2018, Porto

Georg Friedrich Haas: equinox (2018)

for clarinet, violoncello and piano
Comissioned by KölnMusik
Duration: 20'
WP: 02.05.2019, Cologne

Picture of Klangforum Wien performing im Schatten der Harfen by Georg Friedrich Haas
German premiere with Klangforum Wien of Im Schatten der Harfen, 2019

Georg Friedrich Haas, on the other hand, premiered two works commissioned by the festival with very different instrumentations: his ensemble work im Schatten der Harfen, performed by the Klangforum Wien with conductor Sylvain Cambreling, and his chamber work equinox for clarinet, cello, and piano, played by Klangforum Wien’s own Bernhard Zachhuber, Benedikt Leitner, and Florian Müller respectively. Just two weeks later, im Schatten der Harfen had its Austrian national premiere in Salzburg with the österreichisches ensemble für neue musik under Johannes Kalitzke. And it doesn’t stop there: the Basel Sinfonietta has recently announced a further world premiere by Georg Friedrich Haas in next year’s Eight Bridges program, with a new orchestra work co-commissioned by Basel Sinfonietta and Eight Bridges scheduled to debut under the baton of Baldur Brönnimann May 8, 2020.

Press Quotes

[For equinox]: The overwhelming acoustics of the church combined particularly effectively the sounds in Haas’ trio equinox: piano and cello played wild arpeggios whilst the clarinet held long pedal tones through circular breathing – a sadistic exercise for any wind player.    
Kölnische Rundschau, 04.05.2019

[For im Schatten der Harfen]: Arpeggios from two differently pitched harps – both simultaneously played by Virginie Tarrête – resonate in the kaleidoscopic ensemble through an alternation of sometimes harsh and at other times luminous spectral chords. The result: atmospheric harmony at its purest. 
Kölner Stadtanzeiger, 03.05.2019 

Perfomances of im Schatten der Harfen

18.05.2019
œnm . österreichisches ensemble für neue musik, Johannes Kalitzke (cond.), Salzburg (EA)

01.05.2019
Klangforum Wien, Sylvain Cambreling (cond.), Cologne (EA)

06.11.2018
Remix Ensemble, Peter Rundel (cond.), Porto (WP)

Score of im Schatten der Harfen






Photos: Jörg Hejkal