In this interview, Olga Neuwirth talks about her new orchestra work Keyframes for a Hippogriff— Musical Calligrams for Countertenor, Children's Choir, and Orchestra  and her special relationship to Berlin.

Last January, the contemporary premiere of Palla de’ Mozzi, a melodrama by Gino Marinuzzi was staged nearly 80 years after the work’s last performance at the Cagliari Opera Theater. Great success!

March 2009, Silvia Colasanti's Il sole, di chi è?, opera for young audiences on a text by Roberto Piumini, had its world premiere in Cremona, at Teatro Ponchielli.

Music critic Julia Spinola presents Sarah Nemtsov's operas Herzland and Sacrifice.

Bärbel Mittmann-Busch, Director Licensing and Contracts, talks about her field of work and her daily challenges, and relationships to the composers as well as to the clients.

We asked composer Sergej Newski about the biggest challenges he was confronted with while working on the new opera Secondhand-Zeit and his most fascinating experience while attending a performance at the world premiere of Franziskus.

In our new video, the composer Enno Poppe tells us more about the impressive world premiere of his new violin concerto Schnur and the collaboration with Carolin Widmann, Alan Gilbert and other musicians.

On 27 March, Ilya Gringolts and the Bavarian Radio Symphony Orchestra under the baton of Brad Lubman will premiere Bernhard Lang's new violin concerto Monadologie XXXIX.

Francesca Verunelli has won the Ernst von Siemens Composer’s Prize 2020.

The percussionist Simone Rubino and the Regional Orchestra of Tuscany, conducted by Daniele Rustioni, presented the world premiere of Carlo Boccadoro’s L’elettricità dei sogni (The Electricity of Dreams).