The New Year’s Eve concert featuring the Berliner Philharmoniker and tenor Jonas Kaufmann, conducted by Kirill Petrenko, has long been sold out. The program gives sway to classics from Italian repertoire.

“Austrian Phenomenon Olga Neuwirth” (SD) featured at Stockholm’s Konserthuset

Ahead of the world premiere of Michael Gordon's Travel Guide to Nicaragua by The Crossing and Maya Beiser at Congregation Rodeph Shalom, Philadelphia on November 16, and Carnegie Hall on November 17, 2022, Jude Vaclavik, Director of U.S. Publishing & Promotions, Universal Music Publishing Classics & Screen, sat down with the composer himself to discuss the new work. 

The Metropolitan Opera’s 2022-23 season opened with Sondra Radvanovsky’s electrifying performance as the titular character in Cherubini’s rarely performed Medea, a role previously made famous by Maria Callas. The Met’s first-ever production of the work featured the use of Flavio Testi’s revised edition of Cherubini’s score, and was led by Maestro Carlo Rizzi, with stage direction by David McVicar.

At the Donaueschinger Musiktage 2022, world premieres by Georg Friedrich Haas, Hannah Kendall, Bernhard Lang und Mauro Lanza have been presented.

Georg Friedrich Haas’s latest opera, Sycorax, had its world premiere in Bern. Mollena Williams-Haas, a noted activist of colour, portrayed the title character created for her by Haas.

The 66th International Festival of Contemporary Music concluded on September 25 in Venice. Here are a few excerpts from international press accounts of the reception of Battistelli's works chosen to represent this year’s theme, Out of Stage.

In his newest vocal work, Eyewitness Evidence, Newski reacts musically to a text about the horrors of war, “attempting to describe the indescribable”.

Hannah Kendall, Alex Paxton and Diana Syrse have won the third ricordilab international composers’ competition.

Julia Wolfe's Her Story, a 40-minute theatrical work for orchestra and women’s chamber choir and orchestra, receives its world premiere on September 15, 2022 with the Nashville Symphony, Giancarlo Guerrero, and Lorelei Ensemble, with stage direction by Anne Kauffman, lighting and scenic design by Jeff Sugg, costumes by Marion Talan de la Rosa, and sound design by Andrew Cotton.