Georg Friedrich Haas’ unique and extravagant microtonal work 11.000 Saiten, commissioned by the F. Busoni - G. Mahler Foundation and sponsored by the Ernst von Siemens Music Foundation, continues to fascinate audiences around the world.

In September 2024, the Warsaw Autumn festival presents two highly anticipated orchestral world premieres: Sergej Newski’s Göttin der Geschichte as well as the second part of Moritz Eggert’s percussion concerto Master and Servant.

Our ricordilab composers continue down the road to success with premieres by the Festival Orchestra of Lincoln Center, by Musikkollegium Winterthur, and by the Junge Deutsche Philharmonie.

In 2017, the Swedish-German composer Lisa Streich was one of the young talents supported by the Roche Young Commissions, and this summer she returns to the Lucerne Festival as a globally successful composer.

Max Richter's award-winning ballet triptych Woolf Works, choreographed by Wayne McGregor, will receive its US premiere on June 25th at the Metropolitan Opera House

Celebrating the achievements and ongoing creative journeys of our esteemed ricordilab laureates: Hannah Kendall, Alex Paxton and Diana Syrse.

The Arditti Quartet celebrates 50 years with a world premiere by Sarah Nemtsov at the Elbphilharmonie Hamburg.

Without a doubt one of the best-renowned contemporary composers, Georg Friedrich Haas and librettist Händl Klaus have transferred an extreme, human situation to the cast in their operatic love song. A male and female singer can be seen and heard with nothing but their voices, with no orchestra.

Casa Ricordi is pleased to announce our new collaboration with award-winning composer Carmine-Emanuele Cella, who’s been recognized for his innovative work on applications of Intelligence Artificial in music, augmented reality and mathematical representations of sound.

Lucia Ronchetti is staging two new operas in spring 2024: Der Doppelgänger, commissioned by the SWR Schwetzingen Festspiele in co-production with Luzerner Theater, and Searching for Zenobia, commissioned by the Munich Biennale in co-production with Staatstheater Braunschweig.