Celebrating the achievements and ongoing creative journeys of our esteemed ricordilab laureates: Hannah Kendall, Alex Paxton and Diana Syrse.

The Arditti Quartet celebrates 50 years with a world premiere by Sarah Nemtsov at the Elbphilharmonie Hamburg.

Without a doubt one of the best-renowned contemporary composers, Georg Friedrich Haas and librettist Händl Klaus have transferred an extreme, human situation to the cast in their operatic love song. A male and female singer can be seen and heard with nothing but their voices, with no orchestra.

Casa Ricordi is pleased to announce our new collaboration with award-winning composer Carmine-Emanuele Cella, who’s been recognized for his innovative work on applications of Intelligence Artificial in music, augmented reality and mathematical representations of sound.

With their new opera Dora, composer Bernhard Lang and author Frank Witzel enthralled the audience at the Staatsoper Stuttgart to a storm of applause. At the Landestheater Linz, Reinhard Febel (music and text) impressed the audience with his opera Benjamin Button.

Kevin Puts' acclaimed opera The Hours returns to the Metropolitan Opera only a season after its sold-out, world premiere production.

April sees two world premieres for Angélica Negrón.

In this interview, Olga Neuwirth talks about her new orchestra work Keyframes for a Hippogriff— Musical Calligrams for Countertenor, Children's Choir, and Orchestra and her special relationship to Berlin.

Cologne's Eight Bridges Festival has selected Enno Poppe as this year's portrait composer.

The Staatskapelle Dresden bids farewell to its Capell-Compositeur with the world premiere of I don't know how to cry under the baton of Susanna Mälkki in April 2024.