In Schwarzerde (Black Earth), Klaus Huber does not tell a linear story, one with a plot that can be followed. Instead, in nine sequences, he interweaves situational elements, poems, surreal dialogues and aphorisms. Michael Schindhelm’s libretto makes use of three languages: German, Russian and Armenian.

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To celebrate the 90th anniversary of the birth of Franco Donatoni (1927-2000), record labels KAIROS and STRADIVARIUS recently released two albums of the composer’s chamber and ensemble music.

Recent orchestra pieces by Claudio Ambrosini are now available on an album: Stradivarius Plurimo.

 A year ago we announced the winners of our composition competition RicordiLab. What did change in the lifes of Sarah Nemtsov, Shiori Usui and Steffen Wick and what are their plans for the future?

 

In 2016, Luca Francesconi won a Royal Philharmonic Society Music Award for his violin concerto Duende. The Dark Notes. He was the first Italian composer to win the prestigious award. One year before, the performance of the work at the Proms was selected to be one of the top 10 classical music events in 2015 by the Guardian. Now the work will be performed in the United States for the first time.

Swiss-born Klaus Huber died aged 92 last Monday, 2 October 2017, in Perugia.

The Italian premiere of Guo Wenjing’s Shèxì, concerto for violin and orchestra, is slated for this October 7 at the Venice Biennale Musica.

To celebrate the 90th anniversary of the birth of Franco Donatoni (1927-2000), record labels KAIROS and STRADIVARIUS recently released two albums of the composer’s chamber and ensemble music.

World-renowned composer Salvatore Sciarrino has always enjoyed sharing his reflections on esthetics and philosophy, ever since his works first began appearing on the scene. We thought to recall some significant quotes from a pair of books written by Sciarrino: Le figure della musica da Beethoven ad oggi (1998) and Carte da suono (1981-2001). 

September 28 marks the world premiere of Ettore Majorana. Cronache d’infinite scomparse, featuring music by Roberto Vetrano, and libretto by Stefano Simone Pintor, at the Teatro Sociale, in Como. This opera revisits the story of Italian theoretical physicist Ettore Majorana 80 years after his disappearance.