News

Image gallery: critical editions

Critical editions of works by Verdi, Puccini, Rossini, Bellini, Donizetti, Meyerbeer and other composers are an integral part of Ricordi’s repertoire – and they enjoy great popularity all over the world. This image gallery shows only a small selection from performances in Germany and Italy in 2016.

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Scarlatti: 60 Sonatas for Keyboard

This Anthology offers a wide selection of Sonatas by Domenico Scarlatti taken from the complete critical edition edited by Emilia Fadini for Casa Ricordi since 1978.

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Boccadoro: Piano Concerto at La Scala

January 30: La Scala hosts the world premiere of Carlo Boccadoro’s Concerto for Piano and Orchestra conducted by Riccardo Chailly and featuring the La Scala Philharmonic Orchestra and soloist Beatrice Rana. 
Here are some excerpts from an interview we did with the young pianist. 


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“Viva Butterfly, for ever!”

This volume celebrates the centennial of the first performance of Puccini’s Madama Butterfly which took place on February 17, 1904, at the Teatro alla Scala, Milan.
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Rolf Hind: Lost In Thought

“Opera is being turned inside out: instead of watching a drama played out on stage, we’re attending to our own inner journey. I recommend you go along” wrote Stuart Jeffries in The Guardian about Rolf Hind “mediation opera” Lost In Thought.
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National premieres of Marco Momi in December

December 3 marks the German premiere of Marco Momi’s Almost Close, for piano and transducers, performed by Malgorzata Walentynowicz at the contemporary music series ON - Neue Musik in Cologne; Momi’s quintet for piano, strings and electronics entitled UNRISEN premieres in Italy on December 22, featuring pianist Mariangela Vacatello and the Quartetto Prometeo at Bergamo’s Donizetti Theater.
UNRISEN made its world premiere in June 2016 at the MANI-FEST festival in Paris.


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Madama Butterfly (the first version) at La Scala

After the disastrous world premiere of Madama Butterfly at La Scala on February 17, 1904, Puccini made substantial revisions of the score. The revised version of the opera was staged in Brescia three months later, on May 28, where it was a huge hit. Puccini felt obliged to make radical interventions on the first version, which he had thought was well done enough, in order to achieve success in the theaters of his day. This “constraint” was mentioned in a 1920 letter to Giulio Ricordi, in which he expresses bitterness and fear at not seeing “his” Madame Butterfly, as it had been originally composed. In 1981 Ricordi commissioned musicologist Julian Smith to reconstruct the parts of Madama Butterfly that Puccini had “amputated”.

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Statue of Giulio Ricordi inaugurated in Milano

The statue of Giulio Ricordi (1840-1912) by sculptor Luigi Secchi, created in concomitance with the tenth anniversary of signor Giulio’s death, will be on display November 26 in front of the original location of the Ricordi store, which opened on February 25, 1844.

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