Radulescu, Horatiu

A cryptic crystal cuddles the somnambulant day op. 28  (1976)
Hommage à Samuel Beckett
for eleven amateurs („crystal spirtism”), one player and one composer with global sources of sounds
12 Sp. 1 Komp.
Duration: 18’
MOD 1997 // Partitur

A Doïni ('abstract prayer' op. 24 (1974)
for seventeen players with sound icons
3 Sound Icons (bowed vertical concert grand pianos spectrally retuned (spectral scordatura).
Duration: 20’
MOD 1714 // Partitur

Capricorn’s Nostalgic Crickets op. 16h (1972/80)
for seven woodwinds of the same and audio tape
Hbl. ad lib. (z.B. 7 Picckl. 7 Ob d’am).
Also part of the opus „Fountains of My Sky”. The required sound carriers need to regenerate for each performance.
Duration: 17 - 27’
MOD 1693h // Partitur

Cinevatreceumbra op. 14 (1972)
for global sound sources: concrete and abstract human sound sources (L, I/O, H, N, E): speech (pronunciation), Instrument/Object, human (human sound sources), natural and electronic sound sources
1 - 3 Sp (od. Komponisten). Tontr.
The required sound carriers need to be regenerated for each performance.
World Premiere: 15.4.1973, Royan
Duration: 24’
MOD 1679 // Partitur

Credo op. 10 (1969/76)
In the Ninth Heaven. First Spectral Score
for nine violoncellos
World Premiere: 1979, Saarbrücken
Duration: 55’
MOD 1991 // Partitur

Crucible... op. 29 (1975)
Music Testament 1974
„Techno”-Musik mit Ausschnitten aus eigenen Werken auf 16 Kanälen
The required sound carriers need to regenerate for each performance.
Duration: 22’
MOD 1740 // Partitur

Flood for the Eternal’s Origins op. 1 (1970)
for global sound sources
A. Conclusive Text; B. Evo-Involution; C. Everlasting Music
4 Sp. od 4 Instr.gr. od 4 Ens.
Duration: 26’
MOD 1678 // Partitur

Fountains of my Sky op. 16  (1973)
Opus in four compositions for seven wood winds, four vertical pianos, recitation, electronic and global sound sources
(orchestra: 42-84 children)
I. Pythagoras’ Dreamings op. 16n für 42 oder 84 Kinder; II. Capricorn’s Nostalgic Crickets op. 16h für 7 Holzbläser derselben Art (z.B. 7 Picckl. od. 7 Ob d’am); III. Small Infinities’ Togetherness op. 15 für alte präparierte Orgel; IV. Hierophany op. 16y für 42 oder 84 Kinder (spielen auf vier vertikalen Flügeln, exotischen Flöten usw.)
7 Picckl (od. 7 Ob d’am od. 7 Hbl). Org (präp). 4 vertikale Flügel u.a. Instr. (42 od. 84 Sp). Rez. Live-El.
Compositions I - III will be performed simultaneous, followed by composition IV. Duration: 26-44’. Material on request.
World Premiere: 15.4.1973, Royan
Duration: variabel
MOD 1693 // Partitur

Hierophany op. 16y (1973)
Recitation of a poem in 13-42 languages for 42-84 children
42-84 Spr (Kinder).
also part of the opus „Fountains of My Sky op. 16”. Material on request. Duration: mind 13’
Duration: variabel
MOD 1693y // Partitur

Idea of Together op. 9 (1969-70)
for global sound sources
Collektive composition (freely connected with „Trinity op. 8”) for three to seven composers
3 - 7 Komp.
Duration: 30’
MOD 1731b // Partitur

IHI 19 op. 19 (1972)
Requiem pour l’Azur
for nineteen players, nineteen dancers, nineteen spreaker
Cem. Sound Icon (vertikaler Konzertflügel). 2 Vl. Vla. Vc. 13 Fl. /
19 Tänzer (13 Frauen, 6 Männer) / 19 Spr (13 Kinder, 1 Frau, 5 Männer)
Material on request
Duration: 57’
MOD 1677 // Partitur

'My D High' op. 19∞
(1972-73)
Text composition for global sound sources (based on the theoretical work „Sound Plasma - Music of the Future Sign”)
Realisation: Live oder Tonband
The required sound carriers need to regenerate for each performance.  Duration: 40 min. to ∞
Duration: variabele
MOD 1765 // Partitur

Non omnis moriar op. 12 (1972)
for global sound sources
1 - 5 Sp (od Komp). 5 Tonb (2-K).
The required sound carriers need to regenerate for each performance.  Duration: max. 120’
Duration: variabel
MOD 1729 // Partitur

Omaggio a Domenico Scarlatti op. 2 (1967)
for piano or cembalo
Duration: 3’
MOD 1718 // Partitur

Pythagoras’ Dreamings op. 16n (1973)
for 42-84 children with instruments and voices
42-84 Sp (children).
Also part of the work „Fountains of My Sky op. 16”. Duration: 18 - 28’
Duration: variabel
MOD 1693n // Partitur

Small Infinities’ Togetherness op. 15 (1972)
for global sound sources
Soli/Ens ad lib. Tonb.
„Fountains of My Sky op. 16”. The required sound carriers need to regenerate for each performance.  Duration: mind. 17-92’
Duration: variabel
MOD 1730 // Partitur

Taaroa [Music for Taaroa] op. 7
(1968-69)
Hommage à Mircea Eliade
for big orchestra
2 (Picc). 2. Eh. 2. 2. Kfg. / 4. 2. 3. 1. / 2 Schlzg. Hf. Klav (2 Sp). / 10. 8. 6. 6. 4.
Material on request
Duration: 20’
MOD 1676 // Partitur

Trinity and/or Idea of Together op. 8 & 9 (1970)
for global sound sources
Two composition projects, wich are simultaneous realisable
for one composer, one string player and one amateur (op. 8) and 3 - 7 composers
1 Komp. 1 Sp. 1 Amateur / 3 - 7 Komp.
Duration: 30’
MOD 1731 // Partitur / Sti.

Trinity op. 8 (1970)
for global sound sources
Dirigierte Improvisation (freely connected with „Idea of Together op. 9”) for one composer, one player and one amateur
Komp. Sp. Amateur.
Duration: 30’
MOD 1731a // Partitur

Twilight Intricacy op. 21 (1973)
Hommage à C. G. Jung
für 13 Kontrabässe (mit je einem Assistenten) und 97 Münzdreher mit 697 silbernen und goldenen Münzen, menschliche und elektronische Stimmen, Film
13 Kb (m. 13 Assistenten). 97 Sp (Münzen). Tontr. Film.
Die erforderlichen Tonträger sind für jede Aufführung neu zu erstellen. Spieldauer: mind. 29’
Dauer: variabel
MOD 1716 // Partitur

(January 7, 1942 - September 25, 2008)

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